Zoffany lived and worked in British India from 1783 to 1789, creating iconic paintings of the British East India Company era, capturing interactions between colonists and locals while documenting scenes in Lucknow and Calcutta
Hastings utilised Zoffany’s portraits as diplomatic tools to flatter local leaders. For instance, the portrait of Prince Jawan Bakht, heir to the Mughal emperor, depicts him as a powerful figure despite being in retreat from military enemies. This was a strategic choice by Hastings, who recognised that the emperor held the authority to allow the Company to collect taxes in that region. Similarly, Zoffany’s portrait of Hasan Raza Khan highlights his role as both chief minister to the Mughal emperor and a tax collector for the British.
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